As I entered the swanky auditorium at the newly opened
5-star Hotel Avasa i was surprised to see all the seats filled with music enthusiasts and ghazal lovers. The programme, as part of Hydourite 2012 was christened as "Ghazal Ka Safar"- a grand romantic journey detailing the evolution of the Urdu literary form ghazal from 13the Century to the present. The concert brought together Sahitya Akademi winner poet Nida Fazli and ghazal maestro Rajkumar Rizvi on a pleasant evening marked by storytelling and spontaneous exchanges of creative interpretations of poetry and melody
The stage was lit with the presence of the poet Nida Fazli, musician Rajkumar Rizvi, his daughter Neha Rizvi, an upcoming ghazal singer along with a team of talented accompanying musicians on instruments such as harmonium, sarangi, tabla and acoustic guitar. Hyderabad based tabla player Javed Khan made a notable contribution by providing sensitive accompaniment to Ustad Rizvi's ghazal enditions.
According to Nida Fazli, the literary form "ghazal", technically known to be a collection of two lines poems(sher) sharing the same meter(beher) ia simply another name for love(mohabbat). It was first composed by versatile poet Amir Khusro, who was considered the godfather of Hindi and Urdu languages. In expressing his journey to find God, Khusro said,
"Mandir bhi tha, uska pata tha,
Masjid bhi thi uski khabar thi,
Bhatkay idhar, bhatkay udhar,
Khoja nahi upna hi ghar"
(I knew where the temple was and also aware that the mosque existed- I wandered here and i wandered there; just forgot to check my own home.)
Rizvi successfully strung the couplets into songs based on popular tunes sung by musicians such as Jagjit Singh's " Kal chaudvin ki raat thi, shab har raha charchaa tera" or Ghulam Ali's "Hungama hai kyoon burpaa, thoidi si jo peeli hai". His command over raga based Hindusthani classical music was evident from the manner he developed the ghazals, sometimes using aakaar alaapa and at other times using crisp sargams.
In a span of two hours, poet Nida wlake the audience through a memorable journey delineating the history and evolution of ghazals. Strating with the creation of ghazal by Amir Khusro in emperor Alauddin Khilji's court, the audience was transported to Benaras, the city of the holy river Ganges, where poet Kabir wrote 150 years later
Haman hai isq mastana
Haman hai hoshiyari kya
Rahein azad ya jag mein
Haman duniya se yaari kya
( Why do I need to be careful? Being free in the world , What of the world's friendship do I need?)
Poet Fazal struck a chord with the audience when he narrated the story of emperor poet Mohammad Quli Qutub Shah(1580-1611) who fell in love with Bhagmati in the city of Bhagyanagar, married her and gave her the title "Hyder Mahal". Bhagyanagar city became the present day Hyderabad deriving its name from the queen's title. Qutub Shah wrote
Piya baaj pyaala piya jaae na
Piya baaj ek din jiya jaae na
Qutub Shah na dey mujh diwaane ko pan
Diwaane ko kuch pan diya jaae na
Rajkumar Rizvi involved the audience in an interactive session of clapping along to eight beat keherwa taal while explaining salient features of raga jhiunjhoti, on which the ghazal composition was based. Between Fazli's narration, explanation of the difficult Urdu words in the poem to his illustration of melodic elements of the ghazal, the audience was not only entertained but educated on various aspects of history, poetry and raga based music composition.
The next stop was Agra where lesser known poet Nazir Akbaraabadiu conveyed through ghazal the concept of God, common to all languages and religions was expressed differently in different languages. Allah in Arabic was the same as Khuda in Persian. Fazli drew a chuckle from the audience when he recited Akbarabaadi's couplet
Masjid jo jaa raha hai who hai aadmi
Jootay choorah raha who bhi aadmi
(The person going to a mosque ia a man as much theman, as the one who is stealing shoes.)
From Agra, the poet took the audience on a flight of imagination to the land of Gujarat and recited a ghazal by poet Wali Daqni that praised the father-daughter relationship.
Jisay dektay hi khumari lage,
usay umra sari hamari lage
Poet Fazli then introduced the audience to the ghazals of Mohammed Taqi known as Mir, court poet of Lucknow's emperor Wajid Ali Shah. His famous ghazal was rendered with feeling by Rajkumari.
Patta Patta Boota Boota
Haal humaara jaanay hai
Jaane na jaane gul hi na jaane
Baag tho saara jaane hai
( Every leaf and shrubs knows my plight.... The rose alone does not know what the garden knows...)
The spotlight was then on the ghazals composed by famous poet Mirza Ghalib and Nida Fazli recited them soaked in lyrical beauty.
The remainder of the vening was a continuation of the journey of the ghazal through various Indian cities where the works of classical and contemporary poets were introduced to the audience through recitations and songs.